Howard Gardner Interviewed by Esther Cepeda Regarding Learning Styles

In November, Howard Gardner was interviewed by journalist Esther Cepeda regarding his views on 'learning styles'. Below is the final result of that interview.

The original post can be read here.

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Esther Cepeda: Teachers must let go of the ‘learning styles’ myth

Saturday, February 13, 2016

The education industry is nothing if not trend-driven, and sometimes fads manage to calcify into indisputable “facts” that spur backlash when challenged.

Take the mini-revolt over the recent boomlet of myth-busting news articles about “learning styles,” the theory that some people learn better through movement, others through reading or listening and so on.

Just post links to Quartz’s “The concept of different ‘learning styles’ is one of the greatest neuroscience myths” or New York Magazine’s “One Reason the ‘Learning Styles’ Myth Persists” on your Facebook timeline and watch otherwise gentle, openhearted educators descend into bitter disputes about the challenges of being an auditory learner in a text-rich society.

My first brush with the “learning styles” credo was in a graduate-level education program that promoted it as an article of faith for any new teacher.

A decade later, not teaching for different learning styles is considered akin to educational malpractice. Some educators believe that not presenting every concept to students in each of the many styles—kinesthetic, visual, auditory—is nothing short of bigotry because it discriminates against those who don’t learn in “traditional” ways.

Students have internalized this responsibility-absolving mantra through the years. I spent this past fall semester in a music theory course at my local community college with young adults who unfailingly challenged our professor’s classroom instruction, homework and tests with “learning style” complaints.

If we were doing aural training, someone would whine about being a visual learner. The written tests were “too hard” for the kinesthetic learners because they weren’t good at writing on paper, and so on. It was ridiculous—we were, after all, in a music class where reading, writing and listening to music were required, and had been clearly articulated in the course description.

I’m too jaded about how tenaciously educators cling to their dogmas to believe that the overemphasis on differentiated learning styles will soon recede from practice. The “everybody’s special” ethos of teacher education tends to treat the “learning styles” theory as though a student’s preferred method of processing new information automatically makes him or her incapable of learning through any other means. It is heartening to see attempts at dismantling the legend.

“Over and over, researchers have failed to find any substantive evidence for the notion of learning styles, to the point where it’s been designated a ‘neuromyth’ by some education and psychology experts,” writes Jesse Singal in a recent issue of New York Magazine.

The reason the myth lives on, according to Christian Jarrett in Wired magazine, is the educational-industrial complex.

“It is propagated not only in hundreds of popular books,” Jarrett wrote, “but also through international conferences and associations, by commercial companies who sell ways of measuring learning styles, and in teacher-training programs.”

Howard Gardner, who over 30 years ago did groundbreaking research on the notion of multiple intelligences—which include logical-mathematical, musical, interpersonal and intrapersonal, spatial and others, which all work in concert—has gone out of his way to differentiate his work from the shorthand of “learning styles.”

On The Washington Post’s Answer Sheet blog, Gardner wrote, “If people want to talk about ‘an impulsive style’ or ‘a visual learner,’ that’s their prerogative. But they should recognize that these labels may be unhelpful, at best, and ill-conceived at worst.”

When I spoke to Gardner about the danger of using his research and the now-ubiquitous “learning styles” as a crutch for students or an excuse for teachers to not push students to perform up to their potential, he said: “I’m against uniform schools. And everybody’s got his or her own way of learning, but we’re not going to expect all schools to accommodate them all.

“There has to be a middle ground. We don’t want to make every student learn in the same way, but we also don’t want to encourage students to not have to stretch out of their comfort zone and show some grit. The way I would put it is that kids should get as much help as they need to learn, but not one whit more.”

Teachers are well meaning, but buying into the “learning styles” myth has not been definitively shown to improve educational outcomes. So let it die already. Rather than waste valuable time trying to cater to every possible learning preference, teachers would do better to help all students develop a full range of skills and competencies.

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Esther J. Cepeda is a columnist for the Washington Post Writers Group. Her email address is estherjcepeda@washpost.com. Follow her on Twitter, @estherjcepeda.

This article originally appeared on http://www.gazettextra.com/.

Multiple Intelligences and English Language Teaching in Lebanon

A recent study published in the Journal of Advanced Academics explored the use of Multiple Intelligences in teaching English as a second language in classrooms in Beirut, Lebanon. Conducted by Norma Ghamrawi over the course of one academic year, the study sought to answer the following research questions:

#1: How does the application of the MI theory in one school’s KG II ESL classrooms impact students’ acquisition of vocabulary?

#2 What relationship exists between the MI profile of teachers and the kind of intelligences they most often address in their classrooms?

#3 What is the predominant level of thinking skills (low/high on Bloom’s Taxonomy) that teachers address when they use the MI theory?

Ghamrawi utilized videotaped school sessions, student interviews, and surveys to determine that students taught in MI classes exhibited higher rates of retention of new vocabulary.

To read the published results of Ghamrawi's study, click on the link below:

Multiple Intelligences and ESL Teaching and Learning: An Investigation in KG II Classrooms in One Private School in Beirut, Lebanon 

Mozart, Multiple Intelligences, and the Vienna Method

Musicians utilize far more than just musical intelligence in their daily practice and performance. As Joshua Lange of Vienna Virtuoso explains in the following article (which originally appeared in the ASCD Multiple Intelligences Network Newsletter), MI theory has strong implications for the overall value of music education and MI informed pedagogy can create more skilled and developed performers.

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Mozart, Multiple Intelligences, and the Vienna Method

By Joshua Lange

 Mozart, Beethoven, Strauss, and many other masters studied and worked in Vienna, and the city still today boasts many of the best music tutors in the World. On the other side of the globe, in his work on prodigies and savants, Harvard Professor of Education Dr. Howard Gardner covered Mozart’s 'musical intelligence' and showed how talent development mixes with genius through context and culture. I show here how Vienna Virtuoso, the new and official online classical music academy of Vienna, is turning the old school of identifying musical genius locally into the new school of  creating musical genius globally through Gardner's theory of Multiple Intelligences.

In Gardner’s well-established work in neuropsychology, he found not a single, general intelligence, but several ‘brain potentials’ that could be verified. He showed us how creation at higher levels of human knowledge - such as orchestral composition - require a combination of ‘intelligences.’ Gardner stresses to educators that ‘an intelligence never works in isolation,’ and although he has repeatedly warned about the profiling of students as ‘musically intelligent,’ he himself characterizes the ‘orchestra violin player’ as a striking example of how Multiple Intelligences are combined on stage and in practice.

Gardner goes further in his conception of recognizing individual talent in music, suggesting that bodily-kinesthetic intelligence can be observed in how the player interacts with the physical form of the instrument and presents himself while playing; visual intelligence observed in sight-reading, the ability to present oneself with style and elegance, and the composition of music; logical-mathematical intelligence observed in the coordination of time and symbol in the thousands; interpersonal intelligence observed in the constant communication across the orchestra or ensemble; and intrapersonal intelligence observed in the discipline to follow something through and the self-confidence to perform publicly.

At Vienna Virtuoso, we believe that using MI Theory with learning management software and video-enabled tutoring can advance a music student’s skills exponentially. Our online program in Vienna makes the practice process faster, more convenient, and global, while also collecting data about MI in action and using it to develop talent. The tutor reviews short video practices, looking for improvements on several areas of ‘intelligence’ that relate to the pupil’s self-defined goals. For example, if the pupil is on a concert musician track and already has strong musical intelligence (aka ‘talent’), more attention will be given in feedback sessions to observations of bodily-kinesthetic intelligence - poise and the way he ‘touches’ the strings or keys, and interpersonal intelligence - the way he ‘communicates’ his music to different audiences.

In our understanding, musical intelligence relates to what is normally referred to as the musician’s “ear,” which is the element that differentiates the average from the extraordinary. Yet, particularly for competition and audition preparation, we find that musicians are judged on a range of features that go beyond a single "musical" intelligence. Whether the focus on the performer’s hand movements or the performer’s interaction with the audience, intelligences work together to create greatness. For an example of this, watch the sample video on our website where Professor Stefan Vladar responds to a student’s Mozart 20th Piano Concerto practice by showing him when to be prominent and when to soften his touch and allow the orchestra to be prominent.

http://www.viennavirtuoso.com/en/instrument/online-piano-lessons/

By using MI Theory, Professor Vladar is focusing on the bodily-kinesthetic interaction with the musician’s "ear" and the interpersonal intelligence necessary to interact with the orchestra to take the student’s playing from above average to extraordinary. And having recorded 30 professional albums and performing as a soloist and conductor everywhere in the World, a tutor like Professor Stefan Vladar is not easy to find. In the European classical music tradition there are clear hierarchies of ability that restrict the best students to the best tutors. This system works to some extent, and the traditional Vienna School’s methods can be observed across cultures and time periods in the best conservatories and concert performers still today.

Thus a bridge needs to "connect" 21st Century uses of MI theory and a 400 year old tradition of individual talent development in music that seems to work well already. From a Vienna School perspective, to improve in music at a concert level, thus to firmly develop "musical intelligence," students have to be one-to-one with a competent expert.This is difficult, as noted in the MI research, because like the Viennese school of music tutoring, assumptions in MI Theory of how to develop talent is based on individual profiles of intelligence, and this can become quite expensive. In fact, most families today cannot afford a private music tutor.

However, it is the 21st Century after all, and we can now find tutors everywhere. But the quality of content depends on the people and the methods. For example, we hire Master’s Degree students at Vienna’s prestigious conservatory to use MI methods to tutor around the world in over a dozen languages, for one-third of the price of a face-to-face tutor, and directly from the same room in Vienna where Mozart taught his students! But without MI Theory, we wouldn’t motivate students nearly as effectively as with MI. We observed that when recorded in short video feedback form and aligned to an external rubric that accounts for MI, tutor observations over time can be translated into progress reports used for advancement within the program, result in better student awareness of their own intelligence strengths, and more importantly, result in better performance.

This leads inevitably to self-confidence, self-direction, and motivation to learn more about one’s strengths and weaknesses as well as technical skill. The traditional Viennese Method could do those things, but it wasn’t so much fun, nor was it so easy! We further find that MI Theory combined with leadership development, technology, and standardized curricula forms a strong foundation for assessment of instrumentation and performance in music. In sum, Vienna Virtuoso shows that with internet-based education technology, there are few limitations to implementing an MI-Informed pedagogy on a global scale at the same level of quality worthy of the name Mozart.

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Josh Lange, MA, MEd, IDLTM

Josh Lange has held appointments as English Lecturer at two world-leading research universities before coming to Vienna. He holds a MA in English, a MEd in Interdisciplinary Higher Education, and the prestigious IDLTM from Cambridge University. He has won the 2012 International Teaching Excellence Award from University College London (UCL) and Columbia University. Josh has published in leading journals such as Stanford Social Innovation Review and Humanizing Language Teaching, and is Editor of the EU Guide to Utilizing University Intellectual Property for the Benefit of Society.

Readers who wish to contact Joshua can reach him at multipleintelligencesuk@gmail.com

Howard Gardner Comments on Article Regarding Standardized Testing and Inequality in Schools

Notes by Howard Gardner

Recently, I received correspondence from Dr. Matthew Knoester of the University of Evansville. Dr. Knoester shared with me his article  "Standardized Testing and School Segregation: Like Tinder for Fire?" which can be found here.   In this piece, Knoester and Au review research on the effects of segregation and discuss how standardized testing is used to further facilitate racial segregation in schools today.

I agree generally with the critique presented in this article.  The problem as I see it is that many of our schools, at various levels, valorize the kinds of skills involved in standardized testing and so there is a vicious (or at least non virtuous) circle. I was once asked, by the deans of admission at several leading law schools, whether I could help change the LSAT. I terminated the conversation with one direct question:  “Are you willing to change what happens in Law School?”

Once we begin to truly value other kinds of skills and intelligences, then perhaps the veneration of ETS-style instruments will begin to give way to  a more nuanced and differentiated view of higher education.

Howard Gardner's Work Featured in New Children's Book, "The Howard Gardner Zoo"

Texas Christian University student Alexis Keable has condensed and adapted Howard Gardner's theory of Multiple Intelligences into a children's book entitled  "The Howard Gardner Zoo".  What began as a project for her educational psychology class at TCU is now a published book that can be used as a tool for teaching and encouraging  children to discover who they are as students and learners in the classroom. More information regarding this new publication can be found here.